Mozart Week 2017


“Each year around the time of Wolfgang Amadeus Mozart‘s birth in January, the Mozarteum Foundation Salzburg hosts the Mozart Week with opera performances and orchestral, chamber, and soloist concerts. World-renowned Mozart interpreters, orchestras, and ensembles are responsible for the unparalleled reputation of this unique event. This week of concerts, which was first held in 1956, invites visitors from around the world to rediscover Mozart’s works from ever-changing perspectives and to hear them afresh.”  

Mozarts Geburtshaus on Getreidegasse in Salzburg - Mozart was born here on 27 January 1756

Mozarts Geburtshaus 3

Mozarts Geburtshaus, the house in which Mozart was born on 27 January 1756, on Getreidegasse, is now one of the most frequently visited museums in the world. The exhibition, which spreads over three floors, carries the visitors into Wolfgang’s world, telling when he began to make music, who his friends and patrons were, how the relationship with his family looked like, how strong was his passion for the opera… Here can be seen portraits, original manuscripts and documents, as well as personal objects and musical instruments on which he has played: his childhood violin and the clavichord on which he composed a few of his wonderful works.  

Mozarts Wohnhaus

Entrance in Mozart's House 2

Mozart statue

In Makartplatz there is Mozart-Wohnhaus, the residence where Mozart lived between 1773 and 1781 (the year when he left for Vienna). The building was severely damaged in the Second World War’s bombings, but it was faithfully reconstructed and today hosts the second important Mozart museum in Salzburg. 

The fascinating history of how Mozart Residence was saved and reconstructed can be read on the page of The Mozarteum Foundation from the anniversary year 2016 (20 years since the official opening of the rebuilt Mozart Residence).  

Mozartswohnhaus Salzburg - Tanzmeistersaal

In the spacious rooms visitors can see portraits and original documents, manuscripts of Mozart’s works from the Salzburg years, Wolfgang’s original fortepiano, as well as the famous Family Portrait in the Master’s Dance Hall (Tanzmeistersaal)

The programme of the Mozart Week 2017 is beautiful, with concerts taking place in the Grosser Saal Mozarteum, Grosses Festspielhaus, Wiener Saal Mozarteum, Universitaet Mozarteum, Mozart-Wohnung. Among them Mozart’s D minor Piano Concerto no 20, K.466 (on 28 January in the Grosses Festspielhaus, with the Wiener Philharmonic conducted by Thomas Lengelbrock and Leif Ove Andsnes playing the piano) and the B-flat Major Piano Concerto no 27, K.595 (on 31 January in the Grosser Saal Mozarteum, with the Scottish Chamber Orchestra conducted by Robin Ticciati and Maria Joao Pires playing the piano). K.595 has only recently appeared in the online program of the Mozart Week, having replaced the C Major Piano Concerto no 21, K.467, which is in both the printed and pdf form of the 2017 Program – a replacement that is not good news for those who bought a ticket especially for the C Major Piano Concerto no 21…  

Mozart Family Portrait

Salzburg is a city of Music: during the year extraordinary performances take place in churches, in palaces, in concert halls… Salzburger Schlosskonzerte is one of the biggest musical events in the world: the concerts take place in the marble hall of the Mirabell Palace, there where, in another time, young Wolfgang Amadeus Mozart played himself ❤   

Salzburg Mirabell Schlosskonzerte

On Mozart Week, or whenever you are in Salzburg, give yourself the joy of discovering the beauties of a city whose cultural, historical and memorial values have always been respected by its rulers and inhabitants!  

Salzburg - Altstadt 2

Salzburg - Altstadt

Salzburg - Historical City - Altstadt


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‘Was soll ich die Musen…’

The first performance in Prague of “Le Nozze di Figaro” in Mozart’s presence took place on 17 January 1787, followed by a second performance on 22 January with the composer conducting. On their superb scholarly site “Mozart: New Documents”, Dexter Edge and David Black present a document dated 18 January 1787: a notice from The Oberdeutsche Staatszeitung (edited by Lorenz Hübner), stating that through a poem and two letters (one signed by the entire Prague Orchestra) Mozart was invited to come to Prague to see the “Figaro” which had already been acclaimed there a number of times in the end of 1786. Visit the site to read the excellent research in its entirety, and see the document :

Dexter Edge & David Black – 18 January 1787, Mozart’s invitation to Prague

“The first performances of Le nozze di Figaro in Prague took place in late autumn 1786. The precise date of the Prague premiere is unknown, but the first report on the opera in the Prager Oberpostamtzeitung on 12 Dec 1786 states that it had already been given a number of times (“einigemal”) by that point.

That same report cites a rumor that Mozart himself might come to Prague to see the production.

The new document transcribed here, from the Salzburg newspaper Oberdeutsche Staatszeitung, states that Mozart had been sent a poem and two letters, one signed by the entire Prague orchestra, inviting him to come to Prague to see the production. The content of the report closely mirrors Leopold Mozart’s letter to his daughter of 12 Jan 1787, six days earlier:

“Your brother will now be in Prague with his wife, for he wrote me that he would depart for there this past Monday [8 Jan]. His opera Le nozze di Figaro has been performed with such acclaim there, that the orchestra and a group of great connoisseurs and amateurs wrote him a letter of invitation, and sent a poem that had been written about him. I have it from your brother, and Count Starhemberg has received it from Prague. I will send it to you on the next post day. Mme. Duschek is going to Berlin, and the story that your brother will travel to England is repeatedly confirmed from Vienna, from Prague, and from Munich.”

The poem that accompanied the invitation to Prague was written by doctor and amateur actor Anton Daniel Breicha: “An Mozart bey Gelegenheit der Vorstellung der Oper le nozze di Figaro” (Dokumente, 248–49), first published as an individual sheet (a copy of which had been sent to Mozart and evidently also to Starhemberg), and subsequently printed in the anthology Blumen, Blümchen und Blätter edited by Johann Dionys John  (John 1787, 15–17).” 

Dexter Edge & David Black, eds., Mozart: New Documents, “18 January 1787 – Mozart’s invitation to Prague,” first published 13 May 2015, updated 2 Nov 2016.

And here is the poem…


“Was soll ich die Musen, begeistert von Dir,  

Um Beystand beschwören? Sey Muse du mir!  

Sey Du mir des Pindus beauschende Quelle!  

Ich hört’ Dich, melodischer Denker, und priess      

Dein Schopfertalent, und in’s Wonnermeer riss

Mich bald der empfindungen mächtigste Welle.

Zwar rollen bey Deinem Getöne nicht Wald,

Nicht Felsen herbey; nicht fabelhaft hallt

Dein sprechendes Spiel dem gefrässigen Tiger.

Doch bist Du der Fühlenden Orpheus mehr,

Bist Herrscher der Seelen, Dir fröhnt das Gehör

Der Kinder, der Mädchen, der Männer, der Krieger. 

Wenn Liebe Dein schmelzendes Saitenspiel tönt,

Sucht trunken der Jüngling sein Liebchen, und stöhnt,

Und heftiger hämmert der Busen dem Liebchen.

Sie winkt den Geliebten zum Göttergenuss,

Und mit in Dein Saitenspiel lispelt ein Kuss

Von Lippen des Jünglings, von Lippen des Liebchen…” 

Anton Daniel BreichaAN MOZART, Bey Vostellung seiner Oper: Figaro. 1785.  

(Transcription from Georg Nissen’s “Biografie Wolfgang Amadeus Mozarts”


a-d-breicha-an-mozart-blumen-blumchen-und-blatter-stat-eines-prager-musenalmanachs-prag-und-wien-1787 blumen-blumchen-und-blatter-stat-eines-prager-musenalmanachs-prag-und-wien-1787



Blumen, Blümchen und Blätter

Stat eines Prager Musenalmanachs 

Prag und Wien, 1787